Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’<i>Tragédie</i>, Femen's Sextremist Protests, and Harrell's<i>Antigone Sr.</i>

Michel Briand

Open source

DOI
10.1017/cor.2016.5
Published
2016
Container
Congress on Research in Dance Conference Proceedings
Publisher
Cambridge University Press (CUP)
Open access
unknown

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BibTeX

@article{allodium:10.1017/cor.2016.5,
  title = {Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’<i>Tragédie</i>, Femen's Sextremist Protests, and Harrell's<i>Antigone Sr.</i>},
  author = {Michel Briand},
  year = {2016},
  journal = {Congress on Research in Dance Conference Proceedings},
  doi = {10.1017/cor.2016.5},
  url = {https://doi.org/10.1017/cor.2016.5}
}

RIS

TY  - JOUR
TI  - Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’<i>Tragédie</i>, Femen's Sextremist Protests, and Harrell's<i>Antigone Sr.</i>
AU  - Michel Briand
PY  - 2016
JO  - Congress on Research in Dance Conference Proceedings
DO  - 10.1017/cor.2016.5
UR  - https://doi.org/10.1017/cor.2016.5
ER  - 

APA

Briand, M. (2016). Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’<i>Tragédie</i>, Femen's Sextremist Protests, and Harrell's<i>Antigone Sr.</i>. Congress on Research in Dance Conference Proceedings. https://doi.org/10.1017/cor.2016.5

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