Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’<i>Tragédie</i>, Femen's Sextremist Protests, and Harrell's<i>Antigone Sr.</i>
- DOI
- 10.1017/cor.2016.5
- Published
- 2016
- Container
- Congress on Research in Dance Conference Proceedings
- Publisher
- Cambridge University Press (CUP)
- Open access
- unknown
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Cite this work
BibTeX
@article{allodium:10.1017/cor.2016.5,
title = {Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’<i>Tragédie</i>, Femen's Sextremist Protests, and Harrell's<i>Antigone Sr.</i>},
author = {Michel Briand},
year = {2016},
journal = {Congress on Research in Dance Conference Proceedings},
doi = {10.1017/cor.2016.5},
url = {https://doi.org/10.1017/cor.2016.5}
}RIS
TY - JOUR TI - Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’<i>Tragédie</i>, Femen's Sextremist Protests, and Harrell's<i>Antigone Sr.</i> AU - Michel Briand PY - 2016 JO - Congress on Research in Dance Conference Proceedings DO - 10.1017/cor.2016.5 UR - https://doi.org/10.1017/cor.2016.5 ER -
APA
Briand, M. (2016). Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’<i>Tragédie</i>, Femen's Sextremist Protests, and Harrell's<i>Antigone Sr.</i>. Congress on Research in Dance Conference Proceedings. https://doi.org/10.1017/cor.2016.5
Source records
- crossref · retrieved 2026-09-26T10:24:11.377Z