Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound
- DOI
- 10.1017/rma.2021.18
- Published
- 2021-10-08
- Container
- Journal of the Royal Musical Association
- Publisher
- Cambridge University Press (CUP)
- Open access
- unknown
Credibility signals
uncertain Score 64/100 under policy 1.0.0. This is a metadata assessment, not a judgment of the paper's conclusions.
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Cite this work
BibTeX
@article{allodium:10.1017/rma.2021.18,
title = {Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound},
author = {LUIS VELASCO-PUFLEAU},
year = {2021},
journal = {Journal of the Royal Musical Association},
doi = {10.1017/rma.2021.18},
url = {https://doi.org/10.1017/rma.2021.18}
}RIS
TY - JOUR TI - Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound AU - LUIS VELASCO-PUFLEAU PY - 2021 JO - Journal of the Royal Musical Association DO - 10.1017/rma.2021.18 UR - https://doi.org/10.1017/rma.2021.18 ER -
APA
VELASCO-PUFLEAU, L. (2021). Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound. Journal of the Royal Musical Association. https://doi.org/10.1017/rma.2021.18
Source records
- crossref · retrieved 2026-09-26T12:52:12.990Z