The ‘East is red’ goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance

Gregory Lee

Open source

DOI: 10.1017/s0261143000007649
Published: 1995-01
Container: Popular Music
Publisher: Cambridge University Press (CUP)
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.1017/s0261143000007649,
  title = {The ‘East is red’ goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance},
  author = {Gregory Lee},
  year = {1995},
  journal = {Popular Music},
  doi = {10.1017/s0261143000007649},
  url = {https://doi.org/10.1017/s0261143000007649}
}

RIS

TY  - JOUR
TI  - The ‘East is red’ goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance
AU  - Gregory Lee
PY  - 1995
JO  - Popular Music
DO  - 10.1017/s0261143000007649
UR  - https://doi.org/10.1017/s0261143000007649
ER  -

APA

Lee, G. (1995). The ‘East is red’ goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance. Popular Music. https://doi.org/10.1017/s0261143000007649

Source records

crossref · retrieved 2026-11-10T12:31:42.333Z