<i>Magis Rythmus Quam Metron</i>: The Structure of Seneca's Anapaests, and the Oral/Aural Nature of Latin Poetry

Lieven Danckaert

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DOI: 10.1080/00397679.2013.842310
Published: 2013-10
Container: Symbolae Osloenses
Publisher: Informa UK Limited
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.1080/00397679.2013.842310,
  title = {<i>Magis Rythmus Quam Metron</i>: The Structure of Seneca's Anapaests, and the Oral/Aural Nature of Latin Poetry},
  author = {Lieven Danckaert},
  year = {2013},
  journal = {Symbolae Osloenses},
  doi = {10.1080/00397679.2013.842310},
  url = {https://doi.org/10.1080/00397679.2013.842310}
}

RIS

TY  - JOUR
TI  - <i>Magis Rythmus Quam Metron</i>: The Structure of Seneca's Anapaests, and the Oral/Aural Nature of Latin Poetry
AU  - Lieven Danckaert
PY  - 2013
JO  - Symbolae Osloenses
DO  - 10.1080/00397679.2013.842310
UR  - https://doi.org/10.1080/00397679.2013.842310
ER  -

APA

Danckaert, L. (2013). <i>Magis Rythmus Quam Metron</i>: The Structure of Seneca's Anapaests, and the Oral/Aural Nature of Latin Poetry. Symbolae Osloenses. https://doi.org/10.1080/00397679.2013.842310

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crossref · retrieved 2026-09-25T15:16:21.660Z