How Cultural Capital Emerged in Gilded Age America : Musical Purification and Cross-Class Inclusion at the New York Philharmonic
- DOI
- 10.1086/696938
- Published
- 2018-05-01
- Container
- American Journal of Sociology
- Publisher
- Not recorded
- Open access
- yes
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Cite this work
BibTeX
@article{allodium:10.1086/696938,
title = {How Cultural Capital Emerged in Gilded Age America : Musical Purification and Cross-Class Inclusion at the New York Philharmonic},
author = {Fabien Accominotti and Shamus R. Khan and Adam Storer},
year = {2018},
journal = {American Journal of Sociology},
doi = {10.1086/696938},
url = {https://doi.org/10.1086/696938}
}RIS
TY - JOUR TI - How Cultural Capital Emerged in Gilded Age America : Musical Purification and Cross-Class Inclusion at the New York Philharmonic AU - Fabien Accominotti AU - Shamus R. Khan AU - Adam Storer PY - 2018 JO - American Journal of Sociology DO - 10.1086/696938 UR - https://doi.org/10.1086/696938 ER -
APA
Accominotti, F., Khan, S. R., & Storer, A. (2018). How Cultural Capital Emerged in Gilded Age America : Musical Purification and Cross-Class Inclusion at the New York Philharmonic. American Journal of Sociology. https://doi.org/10.1086/696938
Source records
- hal · retrieved 2026-11-10T19:51:43.637Z