Transparent boundaries as scenographies of trust: the COVID-19 pandemic from the view of material cultural studies and artistic works

Monika Ankele, Céline Kaiser

Open source

DOI
10.1136/medhum-2022-012603
Published
2023-10-06
Container
Medical Humanities
Publisher
BMJ
Open access
unknown

Credibility signals

uncertain Score 64/100 under policy 1.0.0. This is a metadata assessment, not a judgment of the paper's conclusions.

Show all credibility signals

Cite this work

BibTeX

@article{allodium:10.1136/medhum-2022-012603,
  title = {Transparent boundaries as scenographies of trust: the COVID-19 pandemic from the view of material cultural studies and artistic works},
  author = {Monika Ankele and Céline Kaiser},
  year = {2023},
  journal = {Medical Humanities},
  doi = {10.1136/medhum-2022-012603},
  url = {https://doi.org/10.1136/medhum-2022-012603}
}

RIS

TY  - JOUR
TI  - Transparent boundaries as scenographies of trust: the COVID-19 pandemic from the view of material cultural studies and artistic works
AU  - Monika Ankele
AU  - Céline Kaiser
PY  - 2023
JO  - Medical Humanities
DO  - 10.1136/medhum-2022-012603
UR  - https://doi.org/10.1136/medhum-2022-012603
ER  - 

APA

Ankele, M., & Kaiser, C. (2023). Transparent boundaries as scenographies of trust: the COVID-19 pandemic from the view of material cultural studies and artistic works. Medical Humanities. https://doi.org/10.1136/medhum-2022-012603

Source records