Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

Joshua Neumann

Open source

DOI: 10.18061/emr.v12i3-4.5827
Published: 2018-06-25
Container: Empirical Musicology Review
Publisher: The Ohio State University Libraries
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.18061/emr.v12i3-4.5827,
  title = {Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera},
  author = {Joshua Neumann},
  year = {2018},
  journal = {Empirical Musicology Review},
  doi = {10.18061/emr.v12i3-4.5827},
  url = {https://doi.org/10.18061/emr.v12i3-4.5827}
}

RIS

TY  - JOUR
TI  - Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera
AU  - Joshua Neumann
PY  - 2018
JO  - Empirical Musicology Review
DO  - 10.18061/emr.v12i3-4.5827
UR  - https://doi.org/10.18061/emr.v12i3-4.5827
ER  -

APA

Neumann, J. (2018). Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera. Empirical Musicology Review. https://doi.org/10.18061/emr.v12i3-4.5827

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crossref · retrieved 2026-09-26T10:34:14.228Z