Commentary on Neumann's "Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Analysis in Turandot at the Metropolitan Opera"
- DOI
- 10.18061/emr.v12i3-4.6007
- Published
- 2018-06-25
- Container
- Empirical Musicology Review
- Publisher
- The Ohio State University Libraries
- Open access
- unknown
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Cite this work
BibTeX
@article{allodium:10.18061/emr.v12i3-4.6007,
title = {Commentary on Neumann's "Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Analysis in Turandot at the Metropolitan Opera"},
author = {Daniel Barolsky},
year = {2018},
journal = {Empirical Musicology Review},
doi = {10.18061/emr.v12i3-4.6007},
url = {https://doi.org/10.18061/emr.v12i3-4.6007}
}RIS
TY - JOUR TI - Commentary on Neumann's "Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Analysis in Turandot at the Metropolitan Opera" AU - Daniel Barolsky PY - 2018 JO - Empirical Musicology Review DO - 10.18061/emr.v12i3-4.6007 UR - https://doi.org/10.18061/emr.v12i3-4.6007 ER -
APA
Barolsky, D. (2018). Commentary on Neumann's "Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Analysis in Turandot at the Metropolitan Opera". Empirical Musicology Review. https://doi.org/10.18061/emr.v12i3-4.6007
Source records
- crossref · retrieved 2026-09-26T11:32:48.917Z