Performing National Identity: Interpreting the Folkloric Idiom of Lyatoshynsky’s Piano Preludes as Curated Musical Experience

Anastasiia Chirileanu, Tatiana Laura Pocinoc

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DOI: 10.20944/preprints202606.1990.v1
Published: 2026-06-26
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Publisher: MDPI AG
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Cite this work

BibTeX

@article{allodium:10.20944/preprints202606.1990.v1,
  title = {Performing National Identity: Interpreting the Folkloric Idiom of Lyatoshynsky’s Piano Preludes as Curated Musical Experience},
  author = {Anastasiia Chirileanu and Tatiana Laura Pocinoc},
  year = {2026},
  doi = {10.20944/preprints202606.1990.v1},
  url = {https://doi.org/10.20944/preprints202606.1990.v1}
}

RIS

TY  - JOUR
TI  - Performing National Identity: Interpreting the Folkloric Idiom of Lyatoshynsky’s Piano Preludes as Curated Musical Experience
AU  - Anastasiia Chirileanu
AU  - Tatiana Laura Pocinoc
PY  - 2026
DO  - 10.20944/preprints202606.1990.v1
UR  - https://doi.org/10.20944/preprints202606.1990.v1
ER  -

APA

Chirileanu, A., & Pocinoc, T. L. (2026). Performing National Identity: Interpreting the Folkloric Idiom of Lyatoshynsky’s Piano Preludes as Curated Musical Experience. https://doi.org/10.20944/preprints202606.1990.v1

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crossref · retrieved 2026-09-25T15:10:59.476Z