How the Inmates’ Polyphonic Play Performs the “All Creation” Icon

Unknown, Riley Ossorgin

Open source

DOI: 10.22455/2619-0311-2019-1-41-54
Published: 2019-02
Container: Dostoevsky and World Culture. Philological journal
Publisher: A. M. Gorky Institute of World Literature of the Russian Academy of Sciences
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.22455/2619-0311-2019-1-41-54,
  title = {How the Inmates’ Polyphonic Play Performs the “All Creation” Icon},
  author = {Unknown and Riley Ossorgin},
  year = {2019},
  journal = {Dostoevsky and World Culture. Philological journal},
  doi = {10.22455/2619-0311-2019-1-41-54},
  url = {https://doi.org/10.22455/2619-0311-2019-1-41-54}
}

RIS

TY  - JOUR
TI  - How the Inmates’ Polyphonic Play Performs the “All Creation” Icon
AU  - Unknown
AU  - Riley Ossorgin
PY  - 2019
JO  - Dostoevsky and World Culture. Philological journal
DO  - 10.22455/2619-0311-2019-1-41-54
UR  - https://doi.org/10.22455/2619-0311-2019-1-41-54
ER  -

APA

Unknown, & Ossorgin, R. (2019). How the Inmates’ Polyphonic Play Performs the “All Creation” Icon. Dostoevsky and World Culture. Philological journal. https://doi.org/10.22455/2619-0311-2019-1-41-54

Source records

crossref · retrieved 2026-09-26T16:51:46.458Z