Aesthetics of Liberation: Carceral Intimacies in Sarah Maldoror's Sambizanga (1972)
- DOI
- 10.2979/blc.00082
- Published
- 2025-09
- Container
- Black Camera
- Publisher
- Indiana University Press
- Open access
- unknown
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serious concern Score 29/100 under policy 1.0.0. This is a metadata assessment, not a judgment of the paper's conclusions.
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Cite this work
BibTeX
@article{allodium:10.2979/blc.00082,
title = {Aesthetics of Liberation: Carceral Intimacies in Sarah Maldoror's Sambizanga (1972)},
author = {Dineo Maine},
year = {2025},
journal = {Black Camera},
doi = {10.2979/blc.00082},
url = {https://doi.org/10.2979/blc.00082}
}RIS
TY - JOUR TI - Aesthetics of Liberation: Carceral Intimacies in Sarah Maldoror's Sambizanga (1972) AU - Dineo Maine PY - 2025 JO - Black Camera DO - 10.2979/blc.00082 UR - https://doi.org/10.2979/blc.00082 ER -
APA
Maine, D. (2025). Aesthetics of Liberation: Carceral Intimacies in Sarah Maldoror's Sambizanga (1972). Black Camera. https://doi.org/10.2979/blc.00082
Source records
- crossref · retrieved 2026-09-24T19:41:12.016Z