A estética dos extremos: notas sobre a relação entre a arte rupestre e a reprodutibilidade técnica em Theodor Adorno

Jéverton Soares dos Santos, Robson da Rosa Almeida

Open source

DOI: 10.31977/grirfi.v14i2.704
Published: December
Container: Griot
Publisher: Not recorded
Open access: yes

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Cite this work

BibTeX

@article{allodium:10.31977/grirfi.v14i2.704,
  title = {A estética dos extremos: notas sobre a relação entre a arte rupestre e a reprodutibilidade técnica em Theodor Adorno},
  author = {Jéverton Soares dos Santos and Robson da Rosa Almeida},
  year = {2016},
  journal = {Griot},
  doi = {10.31977/grirfi.v14i2.704},
  url = {https://doi.org/10.31977/grirfi.v14i2.704}
}

RIS

TY  - JOUR
TI  - A estética dos extremos: notas sobre a relação entre a arte rupestre e a reprodutibilidade técnica em Theodor Adorno
AU  - Jéverton Soares dos Santos
AU  - Robson da Rosa Almeida
PY  - 2016
JO  - Griot
DO  - 10.31977/grirfi.v14i2.704
UR  - https://doi.org/10.31977/grirfi.v14i2.704
ER  -

APA

Santos, J. S. D., & Almeida, R. D. R. (2016). A estética dos extremos: notas sobre a relação entre a arte rupestre e a reprodutibilidade técnica em Theodor Adorno. Griot. https://doi.org/10.31977/grirfi.v14i2.704

Source records

doaj · retrieved 2026-09-27T13:09:50.293Z