Gestural Cinema?, on two texts by Giorgio Agamben, ‘Notes on Gesture’ (1992) and ‘Difference and Repetition: On Guy Debord's Films’ (1995)

Benjamin Noys

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DOI: 10.3366/film.2004.0012
Published: 2004-06
Container: Film-Philosophy
Publisher: Edinburgh University Press
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.3366/film.2004.0012,
  title = {Gestural Cinema?, on two texts by Giorgio Agamben, ‘Notes on Gesture’ (1992) and ‘Difference and Repetition: On Guy Debord's Films’ (1995)},
  author = {Benjamin Noys},
  year = {2004},
  journal = {Film-Philosophy},
  doi = {10.3366/film.2004.0012},
  url = {https://doi.org/10.3366/film.2004.0012}
}

RIS

TY  - JOUR
TI  - Gestural Cinema?, on two texts by Giorgio Agamben, ‘Notes on Gesture’ (1992) and ‘Difference and Repetition: On Guy Debord's Films’ (1995)
AU  - Benjamin Noys
PY  - 2004
JO  - Film-Philosophy
DO  - 10.3366/film.2004.0012
UR  - https://doi.org/10.3366/film.2004.0012
ER  -

APA

Noys, B. (2004). Gestural Cinema?, on two texts by Giorgio Agamben, ‘Notes on Gesture’ (1992) and ‘Difference and Repetition: On Guy Debord's Films’ (1995). Film-Philosophy. https://doi.org/10.3366/film.2004.0012

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crossref · retrieved 2026-09-26T00:01:41.012Z