From stage to screen: performance language mediation and audience engagement in Chinese and Anglo-American musical theater film adaptations

Qin Lin

Open source

DOI: 10.3389/fpsyg.2026.1828417
Published: 2026-05-15
Container: Frontiers in Psychology
Publisher: Frontiers Media SA
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.3389/fpsyg.2026.1828417,
  title = {From stage to screen: performance language mediation and audience engagement in Chinese and Anglo-American musical theater film adaptations},
  author = {Qin Lin},
  year = {2026},
  journal = {Frontiers in Psychology},
  doi = {10.3389/fpsyg.2026.1828417},
  url = {https://doi.org/10.3389/fpsyg.2026.1828417}
}

RIS

TY  - JOUR
TI  - From stage to screen: performance language mediation and audience engagement in Chinese and Anglo-American musical theater film adaptations
AU  - Qin Lin
PY  - 2026
JO  - Frontiers in Psychology
DO  - 10.3389/fpsyg.2026.1828417
UR  - https://doi.org/10.3389/fpsyg.2026.1828417
ER  -

APA

Lin, Q. (2026). From stage to screen: performance language mediation and audience engagement in Chinese and Anglo-American musical theater film adaptations. Frontiers in Psychology. https://doi.org/10.3389/fpsyg.2026.1828417

Source records

crossref · retrieved 2026-11-06T21:01:01.685Z