Playing to the room: how solo pianists perceive, understand, and adapt to acoustic conditions
- DOI
- 10.3389/fpsyg.2026.1909431
- Published
- 2026-08-12
- Container
- Frontiers in Psychology
- Publisher
- Frontiers Media SA
- Open access
- unknown
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Cite this work
BibTeX
@article{allodium:10.3389/fpsyg.2026.1909431,
title = {Playing to the room: how solo pianists perceive, understand, and adapt to acoustic conditions},
author = {Mutong Shao and Aaron Williamon and George Waddell},
year = {2026},
journal = {Frontiers in Psychology},
doi = {10.3389/fpsyg.2026.1909431},
url = {https://doi.org/10.3389/fpsyg.2026.1909431}
}RIS
TY - JOUR TI - Playing to the room: how solo pianists perceive, understand, and adapt to acoustic conditions AU - Mutong Shao AU - Aaron Williamon AU - George Waddell PY - 2026 JO - Frontiers in Psychology DO - 10.3389/fpsyg.2026.1909431 UR - https://doi.org/10.3389/fpsyg.2026.1909431 ER -
APA
Shao, M., Williamon, A., & Waddell, G. (2026). Playing to the room: how solo pianists perceive, understand, and adapt to acoustic conditions. Frontiers in Psychology. https://doi.org/10.3389/fpsyg.2026.1909431
Source records
- crossref · retrieved 2026-11-09T00:56:34.911Z