From roots to glamor: gendered transformations of adapted folk songs in contemporary Bollywood

Marziya Begum, Akaitab Mukherjee

Open source

DOI
10.3389/fsoc.2026.1747205
Published
2026-05-29
Container
Frontiers in Sociology
Publisher
Frontiers Media SA
Open access
unknown

Credibility signals

uncertain Score 64/100 under policy 1.0.0. This is a metadata assessment, not a judgment of the paper's conclusions.

Show all credibility signals

Cite this work

BibTeX

@article{allodium:10.3389/fsoc.2026.1747205,
  title = {From roots to glamor: gendered transformations of adapted folk songs in contemporary Bollywood},
  author = {Marziya Begum and Akaitab Mukherjee},
  year = {2026},
  journal = {Frontiers in Sociology},
  doi = {10.3389/fsoc.2026.1747205},
  url = {https://doi.org/10.3389/fsoc.2026.1747205}
}

RIS

TY  - JOUR
TI  - From roots to glamor: gendered transformations of adapted folk songs in contemporary Bollywood
AU  - Marziya Begum
AU  - Akaitab Mukherjee
PY  - 2026
JO  - Frontiers in Sociology
DO  - 10.3389/fsoc.2026.1747205
UR  - https://doi.org/10.3389/fsoc.2026.1747205
ER  - 

APA

Begum, M., & Mukherjee, A. (2026). From roots to glamor: gendered transformations of adapted folk songs in contemporary Bollywood. Frontiers in Sociology. https://doi.org/10.3389/fsoc.2026.1747205

Source records