Types of Recording, Types of Performance and the Ontological Identity of Musical Works

Alessandro Arbo

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DOI: 10.3390/philosophies10010024
Published: 2025-02-12
Container: Philosophies
Publisher: MDPI AG
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.3390/philosophies10010024,
  title = {Types of Recording, Types of Performance and the Ontological Identity of Musical Works},
  author = {Alessandro Arbo},
  year = {2025},
  journal = {Philosophies},
  doi = {10.3390/philosophies10010024},
  url = {https://doi.org/10.3390/philosophies10010024}
}

RIS

TY  - JOUR
TI  - Types of Recording, Types of Performance and the Ontological Identity of Musical Works
AU  - Alessandro Arbo
PY  - 2025
JO  - Philosophies
DO  - 10.3390/philosophies10010024
UR  - https://doi.org/10.3390/philosophies10010024
ER  -

APA

Arbo, A. (2025). Types of Recording, Types of Performance and the Ontological Identity of Musical Works. Philosophies. https://doi.org/10.3390/philosophies10010024

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crossref · retrieved 2026-09-25T23:12:38.809Z