Unveiling the Composition of La Pajarita PVAc-Based Paints in Joan Miró’s Studio and in Three Artworks from the 1970s
- DOI
- 10.3390/polym16223146
- Published
- 2024-11-12
- Container
- Polymers
- Publisher
- MDPI AG
- Open access
- unknown
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Cite this work
BibTeX
@article{allodium:10.3390/polym16223146,
title = {Unveiling the Composition of La Pajarita PVAc-Based Paints in Joan Miró’s Studio and in Three Artworks from the 1970s},
author = {Mar Gomez Lobon and Enric Juncosa Darder and Carlos Palomino Cabello and Marta Bauza and Francesca Caterina Izzo},
year = {2024},
journal = {Polymers},
doi = {10.3390/polym16223146},
url = {https://doi.org/10.3390/polym16223146}
}RIS
TY - JOUR TI - Unveiling the Composition of La Pajarita PVAc-Based Paints in Joan Miró’s Studio and in Three Artworks from the 1970s AU - Mar Gomez Lobon AU - Enric Juncosa Darder AU - Carlos Palomino Cabello AU - Marta Bauza AU - Francesca Caterina Izzo PY - 2024 JO - Polymers DO - 10.3390/polym16223146 UR - https://doi.org/10.3390/polym16223146 ER -
APA
Lobon, M. G., Darder, E. J., Cabello, C. P., Bauza, M., & Izzo, F. C. (2024). Unveiling the Composition of La Pajarita PVAc-Based Paints in Joan Miró’s Studio and in Three Artworks from the 1970s. Polymers. https://doi.org/10.3390/polym16223146
Source records
- crossref · retrieved 2026-09-26T15:29:40.764Z