James MacMillan dans son opéra The Sacrifice (2007) : un « compositeur de quelque part » ou un « compositeur de partout » ?

Jean-Philippe Héberlé

DOI: 10.4000/12dmf
Published: 2024
Container: Caliban : French journal of English studies
Publisher: Not recorded
Open access: yes

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Cite this work

BibTeX

@article{allodium:10.4000/12dmf,
  title = {James MacMillan dans son opéra The Sacrifice (2007) : un « compositeur de quelque part » ou un « compositeur de partout » ?},
  author = {Jean-Philippe Héberlé},
  year = {2024},
  journal = {Caliban : French journal of English studies},
  doi = {10.4000/12dmf},
  url = {https://doi.org/10.4000/12dmf}
}

RIS

TY  - JOUR
TI  - James MacMillan dans son opéra The Sacrifice (2007) : un « compositeur de quelque part » ou un « compositeur de partout » ?
AU  - Jean-Philippe Héberlé
PY  - 2024
JO  - Caliban : French journal of English studies
DO  - 10.4000/12dmf
UR  - https://doi.org/10.4000/12dmf
ER  -

APA

Héberlé, J. (2024). James MacMillan dans son opéra The Sacrifice (2007) : un « compositeur de quelque part » ou un « compositeur de partout » ?. Caliban : French journal of English studies. https://doi.org/10.4000/12dmf

Source records

hal · retrieved 2026-09-25T13:34:59.597Z