La comédienne dell’arte et son public au XVIIe siècle : un modèle dramaturgique et sa réception

Cécile Berger

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DOI: 10.4000/episteme.15924
Published: 2022
Container: Études Épistémè
Publisher: OpenEdition
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.4000/episteme.15924,
  title = {La comédienne dell’arte et son public au XVIIe siècle : un modèle dramaturgique et sa réception},
  author = {Cécile Berger},
  year = {2022},
  journal = {Études Épistémè},
  doi = {10.4000/episteme.15924},
  url = {https://doi.org/10.4000/episteme.15924}
}

RIS

TY  - JOUR
TI  - La comédienne dell’arte et son public au XVIIe siècle : un modèle dramaturgique et sa réception
AU  - Cécile Berger
PY  - 2022
JO  - Études Épistémè
DO  - 10.4000/episteme.15924
UR  - https://doi.org/10.4000/episteme.15924
ER  -

APA

Berger, C. (2022). La comédienne dell’arte et son public au XVIIe siècle : un modèle dramaturgique et sa réception. Études Épistémè. https://doi.org/10.4000/episteme.15924

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crossref · retrieved 2026-11-11T03:17:03.602Z