Cultural Hybridity in Contemporary Composition: Misread Identity and Cosmopolitan Worlds in the Music of Unsuk Chin

Mao, Mengwei

Open source

DOI
10.5281/zenodo.23373292
Published
2026
Container
Not recorded
Publisher
Zenodo
Open access
yes

Credibility signals

limited evidence Score 47/100 under policy 1.0.0. This is a metadata assessment, not a judgment of the paper's conclusions.

Show all credibility signals

Cite this work

BibTeX

@article{allodium:10.5281/zenodo.23373292,
  title = {Cultural Hybridity in Contemporary Composition: Misread Identity  and Cosmopolitan Worlds in the Music of Unsuk Chin},
  author = {Mao, Mengwei},
  year = {2026},
  doi = {10.5281/zenodo.23373292},
  url = {https://doi.org/10.5281/zenodo.23373292}
}

RIS

TY  - JOUR
TI  - Cultural Hybridity in Contemporary Composition: Misread Identity  and Cosmopolitan Worlds in the Music of Unsuk Chin
AU  - Mao, Mengwei
PY  - 2026
DO  - 10.5281/zenodo.23373292
UR  - https://doi.org/10.5281/zenodo.23373292
ER  - 

APA

Mengwei, M. (2026). Cultural Hybridity in Contemporary Composition: Misread Identity and Cosmopolitan Worlds in the Music of Unsuk Chin. https://doi.org/10.5281/zenodo.23373292

Source records