The Making of Morocco: The Orientalist Gaze, Representation, and Temporal Othering in Mark Twain’s Travel Account The Innocents Abroad

Nouh Anajjar

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DOI: 10.59324/ejahss.2026.3(5).05
Published: 2026-09-03
Container: European Journal of Arts, Humanities and Social Sciences
Publisher: AMO Publisher
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.59324/ejahss.2026.3-5-.05,
  title = {The Making of Morocco: The Orientalist Gaze, Representation,  and Temporal Othering in Mark Twain’s Travel Account The Innocents Abroad},
  author = {Nouh Anajjar},
  year = {2026},
  journal = {European Journal of Arts, Humanities and Social Sciences},
  doi = {10.59324/ejahss.2026.3(5).05},
  url = {https://doi.org/10.59324/ejahss.2026.3(5).05}
}

RIS

TY  - JOUR
TI  - The Making of Morocco: The Orientalist Gaze, Representation,  and Temporal Othering in Mark Twain’s Travel Account The Innocents Abroad
AU  - Nouh Anajjar
PY  - 2026
JO  - European Journal of Arts, Humanities and Social Sciences
DO  - 10.59324/ejahss.2026.3(5).05
UR  - https://doi.org/10.59324/ejahss.2026.3(5).05
ER  -

APA

Anajjar, N. (2026). The Making of Morocco: The Orientalist Gaze, Representation, and Temporal Othering in Mark Twain’s Travel Account The Innocents Abroad. European Journal of Arts, Humanities and Social Sciences. https://doi.org/10.59324/ejahss.2026.3(5).05

Source records

crossref · retrieved 2026-09-25T17:31:55.429Z