Trascendencia actoral a partir de la película Max ha desaparecido (1995). Una visión internacional del actor, bailarín y coreógrafo Víctor Rojas

Jesús Miguel Delgado Del Aguila

DOI: 10.6084/m9.figshare.28184378.v2
Published: 2026
Container: Not recorded
Publisher: figshare
Open access: yes

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Cite this work

BibTeX

@article{allodium:10.6084/m9.figshare.28184378.v2,
  title = {Trascendencia actoral a partir de la película Max ha desaparecido (1995). Una visión internacional del actor, bailarín y coreógrafo Víctor Rojas},
  author = {Jesús Miguel Delgado Del Aguila},
  year = {2026},
  doi = {10.6084/m9.figshare.28184378.v2},
  url = {https://doi.org/10.6084/m9.figshare.28184378.v2}
}

RIS

TY  - JOUR
TI  - Trascendencia actoral a partir de la película Max ha desaparecido (1995). Una visión internacional del actor, bailarín y coreógrafo Víctor Rojas
AU  - Jesús Miguel Delgado Del Aguila
PY  - 2026
DO  - 10.6084/m9.figshare.28184378.v2
UR  - https://doi.org/10.6084/m9.figshare.28184378.v2
ER  -

APA

Aguila, J. M. D. D. (2026). Trascendencia actoral a partir de la película Max ha desaparecido (1995). Una visión internacional del actor, bailarín y coreógrafo Víctor Rojas. https://doi.org/10.6084/m9.figshare.28184378.v2

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datacite · retrieved 2026-09-27T09:54:56.820Z