Cinéma analytique et transfert : l’expérience spectatorielle dans "Persona" et "L’Heure du loup" de Bergman et "Antichrist", "Melancholia" et "Nymphomaniac" de Von Trier

Anaïs Cabart

DOI: 10.70675/b741286cz0a71z4398z8674ze0d7b5bb5fed
Published: 2017-12-02
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Open access: yes

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Cite this work

BibTeX

@article{allodium:10.70675/b741286cz0a71z4398z8674ze0d7b5bb5fed,
  title = {Cinéma analytique et transfert : l’expérience spectatorielle dans "Persona" et "L’Heure du loup" de Bergman et "Antichrist", "Melancholia" et "Nymphomaniac" de Von Trier},
  author = {Anaïs Cabart},
  year = {2017},
  doi = {10.70675/b741286cz0a71z4398z8674ze0d7b5bb5fed},
  url = {https://doi.org/10.70675/b741286cz0a71z4398z8674ze0d7b5bb5fed}
}

RIS

TY  - JOUR
TI  - Cinéma analytique et transfert : l’expérience spectatorielle dans "Persona" et "L’Heure du loup" de Bergman et "Antichrist", "Melancholia" et "Nymphomaniac" de Von Trier
AU  - Anaïs Cabart
PY  - 2017
DO  - 10.70675/b741286cz0a71z4398z8674ze0d7b5bb5fed
UR  - https://doi.org/10.70675/b741286cz0a71z4398z8674ze0d7b5bb5fed
ER  -

APA

Cabart, A. (2017). Cinéma analytique et transfert : l’expérience spectatorielle dans "Persona" et "L’Heure du loup" de Bergman et "Antichrist", "Melancholia" et "Nymphomaniac" de Von Trier. https://doi.org/10.70675/b741286cz0a71z4398z8674ze0d7b5bb5fed

Source records

hal · retrieved 2026-11-10T17:59:14.869Z