Désilencier nos musicalités : une critique transféministe de la subjectivité sonore dans la modernité musicale

Liz Escalle-Dyachenko

Open source

DOI: 10.70675/e11e4deaz9cb9z4d1fz9ccdz38229aecf394
Published: Not recorded
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Publisher: Agence Bibliographique de l'Enseignement Supérieur
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Cite this work

BibTeX

@article{allodium:10.70675/e11e4deaz9cb9z4d1fz9ccdz38229aecf394,
  title = {Désilencier nos musicalités : une critique transféministe de la subjectivité sonore dans la modernité musicale},
  author = {Liz Escalle-Dyachenko},
  doi = {10.70675/e11e4deaz9cb9z4d1fz9ccdz38229aecf394},
  url = {https://doi.org/10.70675/e11e4deaz9cb9z4d1fz9ccdz38229aecf394}
}

RIS

TY  - JOUR
TI  - Désilencier nos musicalités : une critique transféministe de la subjectivité sonore dans la modernité musicale
AU  - Liz Escalle-Dyachenko
DO  - 10.70675/e11e4deaz9cb9z4d1fz9ccdz38229aecf394
UR  - https://doi.org/10.70675/e11e4deaz9cb9z4d1fz9ccdz38229aecf394
ER  -

APA

Escalle-Dyachenko, L. (n.d.). Désilencier nos musicalités : une critique transféministe de la subjectivité sonore dans la modernité musicale. https://doi.org/10.70675/e11e4deaz9cb9z4d1fz9ccdz38229aecf394

Source records

crossref · retrieved 2026-09-26T08:58:05.959Z