Le temple Pushou 普寿寺 et le projet "Trois-Plus-Un". Nonnes et modes de production du bouddhisme contemporain en Chine continentale

Amandine Péronnet

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DOI: 10.70675/f0ea9b37z5f36z4ac0z9ea3z7e167a903e16
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Publisher: Agence Bibliographique de l'Enseignement Supérieur
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Cite this work

BibTeX

@article{allodium:10.70675/f0ea9b37z5f36z4ac0z9ea3z7e167a903e16,
  title = {Le temple Pushou 普寿寺 et le projet "Trois-Plus-Un". Nonnes et modes de production du bouddhisme contemporain en Chine continentale},
  author = {Amandine Péronnet},
  doi = {10.70675/f0ea9b37z5f36z4ac0z9ea3z7e167a903e16},
  url = {https://doi.org/10.70675/f0ea9b37z5f36z4ac0z9ea3z7e167a903e16}
}

RIS

TY  - JOUR
TI  - Le temple Pushou 普寿寺 et le projet "Trois-Plus-Un". Nonnes et modes de production du bouddhisme contemporain en Chine continentale
AU  - Amandine Péronnet
DO  - 10.70675/f0ea9b37z5f36z4ac0z9ea3z7e167a903e16
UR  - https://doi.org/10.70675/f0ea9b37z5f36z4ac0z9ea3z7e167a903e16
ER  -

APA

Péronnet, A. (n.d.). Le temple Pushou 普寿寺 et le projet "Trois-Plus-Un". Nonnes et modes de production du bouddhisme contemporain en Chine continentale. https://doi.org/10.70675/f0ea9b37z5f36z4ac0z9ea3z7e167a903e16

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crossref · retrieved 2026-09-26T00:45:01.559Z