L’utilisation du numérique dans le spectacle vivant : l’appropriation de l’œuvre à partir d’un dispositif de médiation culturelle

Monica Paredes

Open source

DOI: 10.70675/f2dca385zd990z4500zbcabz97c8ca6e1a1d
Published: Not recorded
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Publisher: Agence Bibliographique de l'Enseignement Supérieur
Open access: unknown

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Cite this work

BibTeX

@article{allodium:10.70675/f2dca385zd990z4500zbcabz97c8ca6e1a1d,
  title = {L’utilisation du numérique dans le spectacle vivant : l’appropriation de l’œuvre à partir d’un dispositif de médiation culturelle},
  author = {Monica Paredes},
  doi = {10.70675/f2dca385zd990z4500zbcabz97c8ca6e1a1d},
  url = {https://doi.org/10.70675/f2dca385zd990z4500zbcabz97c8ca6e1a1d}
}

RIS

TY  - JOUR
TI  - L’utilisation du numérique dans le spectacle vivant : l’appropriation de l’œuvre à partir d’un dispositif de médiation culturelle
AU  - Monica Paredes
DO  - 10.70675/f2dca385zd990z4500zbcabz97c8ca6e1a1d
UR  - https://doi.org/10.70675/f2dca385zd990z4500zbcabz97c8ca6e1a1d
ER  -

APA

Paredes, M. (n.d.). L’utilisation du numérique dans le spectacle vivant : l’appropriation de l’œuvre à partir d’un dispositif de médiation culturelle. https://doi.org/10.70675/f2dca385zd990z4500zbcabz97c8ca6e1a1d

Source records

crossref · retrieved 2026-11-10T14:45:59.297Z