The Mechanism of Bilibili's Media "Circle-breaking" in the Context of Subculture——Taking the "Wave Trilogy" Promotional Film as an Example

LeiYa Tian

Open source

DOI
10.70693/itphss.v2i6.433
Published
2025-06-08
Container
International Theory and Practice in Humanities and Social Sciences
Publisher
Wisvora Publishing
Open access
unknown

Credibility signals

uncertain Score 64/100 under policy 1.0.0. This is a metadata assessment, not a judgment of the paper's conclusions.

Show all credibility signals

Cite this work

BibTeX

@article{allodium:10.70693/itphss.v2i6.433,
  title = {The Mechanism of Bilibili's Media "Circle-breaking" in the Context of Subculture——Taking the "Wave Trilogy" Promotional Film as an Example},
  author = {LeiYa Tian},
  year = {2025},
  journal = {International Theory and Practice in Humanities and Social Sciences},
  doi = {10.70693/itphss.v2i6.433},
  url = {https://doi.org/10.70693/itphss.v2i6.433}
}

RIS

TY  - JOUR
TI  - The Mechanism of Bilibili's Media "Circle-breaking" in the Context of Subculture——Taking the "Wave Trilogy" Promotional Film as an Example
AU  - LeiYa Tian
PY  - 2025
JO  - International Theory and Practice in Humanities and Social Sciences
DO  - 10.70693/itphss.v2i6.433
UR  - https://doi.org/10.70693/itphss.v2i6.433
ER  - 

APA

Tian, L. (2025). The Mechanism of Bilibili's Media "Circle-breaking" in the Context of Subculture——Taking the "Wave Trilogy" Promotional Film as an Example. International Theory and Practice in Humanities and Social Sciences. https://doi.org/10.70693/itphss.v2i6.433

Source records