Review of Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press

Elliott S. Cairns

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DOI: 10.7916/cm.v0i92.5213
Published: September
Container: Current Musicology
Publisher: Not recorded
Open access: yes

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Cite this work

BibTeX

@article{allodium:10.7916/cm.v0i92.5213,
  title = {Review of Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press},
  author = {Elliott S. Cairns},
  year = {2011},
  journal = {Current Musicology},
  doi = {10.7916/cm.v0i92.5213},
  url = {https://doi.org/10.7916/cm.v0i92.5213}
}

RIS

TY  - JOUR
TI  - Review of Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press
AU  - Elliott S. Cairns
PY  - 2011
JO  - Current Musicology
DO  - 10.7916/cm.v0i92.5213
UR  - https://doi.org/10.7916/cm.v0i92.5213
ER  -

APA

Cairns, E. S. (2011). Review of Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press. Current Musicology. https://doi.org/10.7916/cm.v0i92.5213

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doaj · retrieved 2026-09-26T11:20:01.397Z